Junk in the Trunk is a multi-media multi-medium show featuring artists who work with any and all materials. From video, clay, to glitter and everything in-between! Craft often lives on the edges of the fine arts and multi-medium/media artists will even be on the outskirts of the outskirts. This show is a celebration of artists who live in that borderland. The queer, the othered, the funk, and the sub-cultured. These artists love material but will not care to “blasphemously” glue rhinestones to that dance.
Somewhere Between Chaos and Silence reveals the visceral experience of human emotions caught in the flux of conflict, confusion and duality. Constant struggles of the self are physically manifested in an outward surreal and abstracted melding of the body and a soul overcome. We coexist with the haunting growths of our turmoil worn as skin, that which is meant for protection also records our pain.
Shop the Annual Holiday Sale in person and online!
Celebrate the gift of art and the change of seasons with not one – but two great shows! Our annual ceramics holiday invitational, Winterfest 2022, featuring established and emerging ceramic artists. This exhibition is perfectly paired with Baltimore Clayworks’ Annual Holiday Sale where resident artists and gallery represented artists join together to fill the galleries with one-of-a-kind, hand-crafted gifts.
Co-organized with The Bronx Museum of the Arts, this is the first comprehensive museum exhibition of the profoundly moving and complex work of Darrel Ellis (1958–1992).
Ellis created a multifaceted body of work that merges painting, printmaking, photography, and drawing before he died of AIDS-related causes at age 33. During his lifetime, his work was included in important contemporary surveys but only now is garnering the posthumous attention it deserves.
UMBC's Center for Art, Design and Visual Culture presents Oletha DeVane: Spectrum of Light and Spirit, on display from September 22 through December 17.
Featuring nearly 100 artworks, the exhibition is the first retrospective of celebrated Maryland artist Oletha DeVane, and traces the artist’s extensive career, from her early paintings and works on paper to video artworks and interactive sculpture, including works on view for the first time.
The Great Migration (1915–1970) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. A Movement in Every Direction: Legacies of the Great Migration explores the ways in which its impact reverberates today through newly commissioned works across media by 12 acclaimed Black artists, including Akea Brionne, Mark Bradford, Zoë Charlton, Larry W.
Approximately 15 works on paper celebrate Stanley Whitney’s (b. Philadelphia, PA, 1946) lifelong engagement with Henri Matisse’s color, drawing, and composition and reveal his thinking through the stained-glass windows that are now a permanent feature of the BMA’s Ruth R. Marder Center for Matisse Studies.
Organized by Carnegie Museum of Art, this exhibition debuts a recent body of work by New York-based artist Elle Pérez.
Including 13 photographs created between 2019 and 2021, Devotions explores relationship building, creating space to reflect on how we navigate ourselves in relation to others and the world. Pérez’s carefully sequenced images dwell in moments of grief and care, pain and pleasure, desire and self-exploration. Amidst recurring motifs of water, touch, and BDSM are also striking choices in proximity, scale, color, and light.
John Waters’ bequest of 372 works by 125 artists brings a particular cutting-edge articulation of American individualism to the BMA’s collection, particularly as it relates to queer identity and freedom of expression. Waters favors works that are visually witty, abstract, and often refer to the absurdities of the art world.
To showcase this provocative gift, queer photographers Catherine Opie and Jack Pierson are guest curating highlights from the collection for the BMA’s Nancy Dorman and Stanley Mazaroff Center for the Study of Prints, Drawings and Photographs.
Evergreen’s new major exhibition, A History of Houseplants, explores the forces that sparked the Victorian obsession with houseplants, reveals how the trend manifested at Evergreen and in Baltimore, and examines how today’s houseplant enthusiasts both recall and differ from the Victorians of 150 years ago.
On view October 1, 2022-June 4, 2023. Gallery open Tuesday-Sunday, 11 a.m.-4p.m. Closed Mondays, Thanksgiving, Black Friday, Christmas Eve, Christmas, New Year's Eve, and New Year's Day.
Admission is FREE and no advance registration is necessary.
December 3 @ 1:00 pm – 3:30 pm
$15 Includes Special Event and Exhibition; $25 for Sankofa Passport
Join us for a special presentation and interactive drumming experience for families. Learn about some of the African traditions included in the exhibition and get hands on with drum and dance! This program is 45 minutes in length. Two identical programs offered this day at 1:00pm and 2:30pm.
November 18 - December 17, 2022 at The Parlor, 108 West North Avenue
Featuring 50 works from a dozen artists, Memento mori marks a significant transition in the life of 108 West North Avenue — a late 19th-century rowhome that from 1914 until recently served the community as a funeral home. The Victorian era building in its present state is a readymade work of art further enhanced with the artworks presented in the exhibition – gathered to acknowledge and celebrate the building's past, and its future.
The Jewish Museum of Maryland is proud to present Power of Protest: The Movement to Free Soviet Jews, a traveling exhibition created by the National Museum of American Jewish History and exploring one of the most successful human rights campaigns to date. The panel exhibition showcases Americans’ efforts in the late 1960s through 1990 to free refuseniks—Jews who lived in the Soviet Union and were denied the rights to live freely, practice Judaism, or leave the country due to their religion.
My Odessa: Paintings by Yefim Ladyzhensky is a presentation of a city and land in the midst of revolution through the paintings of Ladyzhensky. Ladyzhensky’s paintings share memories that are both recognizably drawn from life in Soviet Odessa, and highly specific and personal. The specificity of Ladyzhensky’s subjects and colors illustrates his particular relationship to the city of his youth: a place of heartfelt fondness and longing. His Odessa was a dynamic city rich with humor, arts, and Jewish life.
In 2017 the Johns Hopkins Sheridan Libraries began building the world’s most comprehensive collection of rare books, manuscripts, and ephemera detailing the experiences of early modern women from the Renaissance to the Enlightenment.