Ever imagined a quiet space that embraces tranquility, thought, and deep breathing? Visit Sid Yoga Center’s Meditation Space. If you’re new to Sig Yoga Center and or yoga, this is a great opportunity to check out our studio and to get a feel for our Nahi Warrior practices, Power Yoga, and Restorative and Renewing classes.
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Crickets is a fun, play-based music and movement class for boys and girls ages 4 to 6. Trained teachers engage the body and the mind in joyful music-making through musical games and movement. Offered by Children’s Chorus of Maryland and School of Music (CCM), Crickets gently encourages young children to explore the voice as their first true instrument. Classes start Saturday, September 21st, 2019 starting at 9AM or 10AM in Towson. Classes are 50 minutes long, meet once a week, and last for 10 weeks. The tuition for the fall session costs $200.
Do you know a child who loves to sing? Children’s Chorus of Maryland (CCM) will hold auditions on August 27th, 28th, & 29th and September 5th in Towson for children as young as 5 ½ who are interested in participating in an exciting choral performance program. CCM features highly qualified teachers, small classes and in-depth vocal enrichment to provide children with a complete musical education and choral experience. Previous singing experience is not necessary! Register online at www.ccmsings.org.
People, Land and Spirit: A Celebration of the African and Caribbean Diaspora
Curated by Denee Barr with Zoey Howell-Brown
Nancy by Snac Cafe Gallery @ MICA Fred Lazurus IV Graduate Center
131 West North Avenue, Baltimore, Maryland 21201
Friday, September 6, 2019 - Friday, October 4, 2019 ~ 8 am - 3 pm
Opening Reception: Friday, September 6, 2019 ~ 5 pm - 7 pm
Artist Talk* : Friday, September 27, 2019 ~ 9:30 am - 11:00 am
Adapted from the novel by Bram Stoker
October 4 – November 2, 2019
“There are darknesses in life and there are lights,
and you are one of the lights, the light of all lights.”
The mesmerizing and classic tale of horror and romance: Sinister events in a sanatorium reveal the lurking presence of the greatest vampire of all time.
Feast with Phillips Seafood’s new all-you-can-eat brunch buffet on Sundays from 10am-2pm. From made-to-order omelets and classic breakfast favorites such as bourbon french toast and waffles to fresh griddled crab cakes and carved prime rib, to our extensive raw bar featuring chilled snow crab legs, freshly-shucked oysters and peel-and-eat-shrimp, there’s something for everyone to enjoy.
In honor of the 50th anniversary of the Apollo 11 moon landing, the National Electronics Museum is hosting a temporary exhibit, "The Pace Collection: Unique and Rarely Seen NASA Apollo Mission Hardware". The exhibit features an eclectic mix of artifacts from a private collection. Don’t forget the Museum also has on permanent display the Westinghouse Apollo XI lunar TV camera. The exhibit is free with paid museum admission. Open 10 July through 15 October 2019.
This focus exhibition acknowledges and celebrates the contributions of women artists to the development of American modernism through nearly 20 works from the BMA’s collection by Elizabeth Catlett, Maria Martinez, Georgia O’Keeffe, and Marguerite Zorach, and others. The selection of painting, sculpture, and decorative arts showcases these artists’ innovative engagements with the major art movements of 20th century from Cubism to Abstract Expressionism.
UMBC's Albin O. Kuhn Library Gallery presents Experimentalist: The Art of Robert W. Fichter, the first retrospective of the artist’s career in over thirty years. Drawn from his archive at UMBC, the 55 works in this exhibition created between 1962 and 2006 highlight Fichter’s exploration of the human condition across photography, printmaking, and painting. Fichter employs shifting moods and mediums as well as wit, humor, and satire to deliver trenchant critiques of war, nuclear proliferation, and environmental disaster.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
This exhibition explores the cross-cultural connections in Melvin Edwards’ sculpture from 1980 to the present. Edwards (American, b. 1937) was profoundly influenced by his experience at a major arts festival in Lagos in 1977. Since then his work has increasingly connected to African art, languages, poetry, liberation politics, and philosophy. He has made reciprocal ties to many African countries, such as Nigeria, Ghana, Zimbabwe, and Senegal, where he has maintained a home for nearly 20 years.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.
For more than 30 years, New Orleans-natives Keith Calhoun (b. 1955) and Chandra McCormick (b. 1957) have been documenting life in the Louisiana State Penitentiary at Angola. Known as “The Farm,” the prison was founded on the consolidated land of several cotton and sugarcane plantations. Slavery, The Prison Industrial Complex includes poignant photographs and videos that record the exploitation of men incarcerated in the maximum-security prison farm while also showcasing their humanity and individual narratives.
Get to know Howard County’s vibrant visual arts scene during Road to the Arts weekend, September 12-15. Participating galleries will host special receptions and exhibits throughout the weekend. The Arts Council’s reception for our Transformations and Fragments exhibits on Friday, September 13 from 6-8pm will also include our Annual Meeting and Grant Awards Ceremony. Our Resident Artists will also host Open Studios from 7-8pm.
The Road to the Arts map also includes all 12 ARTsites 2019 locations – get your copy by calling 410-313-ARTS (2787).
This exhibition is on view through March 2020. The MdHS museum is open Wednesday-Saturday, 10 am-5 pm, and on Sundays, 12 pm-5 pm.
The exhibition features one-of-a-kind appliqué quilts created by Baltimore-native Mimi Dietrich. Ms. Dietrich is one of Maryland’s and the nation’s most accomplished quilters. In 2015 she was inducted into The Quilters Hall of Fame in Marion, Indiana. “Hometown Girl” tells Ms. Dietrich’s story as a life-long Marylander and Baltimore native, and draws inspiration from the many students she has taught over her 35-year career.
Spencer Finch’s impressive light installation Moon Dust (Apollo 17), first presented at the 2009 Venice Biennale, will illuminate the BMA’s majestic Fox Court for the next seven years. The work consists of 150 individual chandeliers with 417 lights. The chandeliers are hung individually from the ceiling and form one large, cloud-like structure. Although an abstract sculpture, the installation is also a scientifically precise representation of the chemical composition of moon dust as it was gathered during the Apollo 17 mission.
Every Day: Selections from the Collection is the BMA’s first reinstallation of its contemporary collection centered on black artistic imagination. Nearly 50 works of painting, sculpture, video, printmaking, and photography from the BMA’s permanent collection, alongside a select group of loans primarily from the celebrated Pamela J. Joyner and Alfred J. Giuffrida Collection, foreground the critical contributions black artists have made to postwar visual art.
Starting with early portraiture, “Reflections: A Brief History of Looking at Ourselves” is a new exhibition exploring themes of identity and place that are at the cornerstone of human experience and widely examined in contemporary photography. The year-long exhibition draws from the Maryland Historical Society’s photograph holdings, including daguerreotypes, salt prints, glass negatives, silver gelatin and digital prints.