Ever imagined a quiet space that embraces tranquility, thought, and deep breathing? Visit Sid Yoga Center’s Meditation Space. If you’re new to Sig Yoga Center and or yoga, this is a great opportunity to check out our studio and to get a feel for our Nahi Warrior practices, Power Yoga, and Restorative and Renewing classes.
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Crickets is a fun, play-based music and movement class for boys and girls ages 4 to 6. Trained teachers engage the body and the mind in joyful music-making through musical games and movement. Offered by Children’s Chorus of Maryland and School of Music (CCM), Crickets gently encourages young children to explore the voice as their first true instrument. Classes start Saturday, September 21st, 2019 starting at 9AM or 10AM in Towson. Classes are 50 minutes long, meet once a week, and last for 10 weeks. The tuition for the fall session costs $200.
Do you know a child who loves to sing? Children’s Chorus of Maryland (CCM) will hold auditions on August 27th, 28th, & 29th and September 5th in Towson for children as young as 5 ½ who are interested in participating in an exciting choral performance program. CCM features highly qualified teachers, small classes and in-depth vocal enrichment to provide children with a complete musical education and choral experience. Previous singing experience is not necessary! Register online at www.ccmsings.org.
People, Land and Spirit: A Celebration of the African and Caribbean Diaspora
Curated by Denee Barr with Zoey Howell-Brown
Nancy by Snac Cafe Gallery @ MICA Fred Lazurus IV Graduate Center
131 West North Avenue, Baltimore, Maryland 21201
Friday, September 6, 2019 - Friday, October 4, 2019 ~ 8 am - 3 pm
Opening Reception: Friday, September 6, 2019 ~ 5 pm - 7 pm
Artist Talk* : Friday, September 27, 2019 ~ 9:30 am - 11:00 am
In honor of the 50th anniversary of the Apollo 11 moon landing, the National Electronics Museum is hosting a temporary exhibit, "The Pace Collection: Unique and Rarely Seen NASA Apollo Mission Hardware". The exhibit features an eclectic mix of artifacts from a private collection. Don’t forget the Museum also has on permanent display the Westinghouse Apollo XI lunar TV camera. The exhibit is free with paid museum admission. Open 10 July through 15 October 2019.
Every Day: Selections from the Collection is the BMA’s first reinstallation of its contemporary collection centered on black artistic imagination. Nearly 50 works of painting, sculpture, video, printmaking, and photography from the BMA’s permanent collection, alongside a select group of loans primarily from the celebrated Pamela J. Joyner and Alfred J. Giuffrida Collection, foreground the critical contributions black artists have made to postwar visual art.
In the fall of 2018, the BMA’s oldest friends group, the Print, Drawing & Photograph Society (PDPS), will celebrate its 50th anniversary by sponsoring an exhibition to highlight a selection of late 19th-century, modern, and contemporary works on paper that PDPS has helped the BMA acquire over the years. Installed in a gallery adjacent to the Cone Collection, this one-gallery exhibition will be organized in two six-month presentations, each including 20–30 prints, drawings, and artists’ books.
Get to know Howard County’s vibrant visual arts scene during Road to the Arts weekend, September 12-15. Participating galleries will host special receptions and exhibits throughout the weekend. The Arts Council’s reception for our Transformations and Fragments exhibits on Friday, September 13 from 6-8pm will also include our Annual Meeting and Grant Awards Ceremony. Our Resident Artists will also host Open Studios from 7-8pm.
The Road to the Arts map also includes all 12 ARTsites 2019 locations – get your copy by calling 410-313-ARTS (2787).
MacArthur award-winning artist and Baltimore icon Joyce J. Scott’s earliest art lessons were at the knee of her mother, the renowned fiber artist Elizabeth Talford Scott. The eldest Scott passed down to her daughter knowledge inherited from generations of craftspeople in their family who had honed their expertise and persisted in their artistry through the extreme deprivations of slavery and its aftermath in sharecropping, migration, and segregation. “They couldn’t buy things,” Joyce J. Scott recounts, “so they made things.
This exhibition is on view through March 2020. The MdHS museum is open Wednesday-Saturday, 10 am-5 pm, and on Sundays, 12 pm-5 pm.
The exhibition features one-of-a-kind appliqué quilts created by Baltimore-native Mimi Dietrich. Ms. Dietrich is one of Maryland’s and the nation’s most accomplished quilters. In 2015 she was inducted into The Quilters Hall of Fame in Marion, Indiana. “Hometown Girl” tells Ms. Dietrich’s story as a life-long Marylander and Baltimore native, and draws inspiration from the many students she has taught over her 35-year career.
Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b.
UMBC's Albin O. Kuhn Library Gallery presents Experimentalist: The Art of Robert W. Fichter, the first retrospective of the artist’s career in over thirty years. Drawn from his archive at UMBC, the 55 works in this exhibition created between 1962 and 2006 highlight Fichter’s exploration of the human condition across photography, printmaking, and painting. Fichter employs shifting moods and mediums as well as wit, humor, and satire to deliver trenchant critiques of war, nuclear proliferation, and environmental disaster.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
Starting with early portraiture, “Reflections: A Brief History of Looking at Ourselves” is a new exhibition exploring themes of identity and place that are at the cornerstone of human experience and widely examined in contemporary photography. The year-long exhibition draws from the Maryland Historical Society’s photograph holdings, including daguerreotypes, salt prints, glass negatives, silver gelatin and digital prints.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.
For more than 30 years, New Orleans-natives Keith Calhoun (b. 1955) and Chandra McCormick (b. 1957) have been documenting life in the Louisiana State Penitentiary at Angola. Known as “The Farm,” the prison was founded on the consolidated land of several cotton and sugarcane plantations. Slavery, The Prison Industrial Complex includes poignant photographs and videos that record the exploitation of men incarcerated in the maximum-security prison farm while also showcasing their humanity and individual narratives.
UMBC's Center for Art, Design and Visual Culture (CADVC) presents Spectrum: 2019 Visual Arts Faculty Exhibition, featuring artworks by Dan Bailey, Steve Bradley, Cathy Cook, Jules Rosskam,Evan Tedlock, and Vin Grabill. Spectrumprovides an in-depth exploration of recent research projects in film, video, photography, sound, installation, and sculpture by selected members of UMBC’s Department of Visual Arts.