Japanese Woodblock Prints showcases more than 40 lively prints dating from the 17th through 19th centuries from the Walters’ collection. Japanese woodblock prints are often credited to individual artists like Hokusai and Hiroshige. However, these celebrated and beautiful works of art are the products of masterfully orchestrated collaborations among publishers, artists, carvers, and printers; their distinct roles are explored in this exhibition.
1 - 20 of 33 resultsRefine Results
Nearly 250 exquisite Chinese snuff bottles, delicately crafted from stone, glass, porcelain, ivory, lacquer, enamel, and precious metals, will be on view in the galleries of the Walters’ palazzo-style court. Once personal adornments and handsome gifts, these extraordinary examples of technical and artistic virtuosity were made to hold snuff, a mixture of finely ground tobacco leaves, spices, and aromatic herbs.
January 7, 2019 (Baltimore, MD) – Arts Every Day will be hosting its third annual 10x10 Exhibit featuring over a hundred student and teacher artworks from Baltimore City Public Schools that respond to a culturally relevant body of work or movement. The exhibition, curated by Alexis Dixon, a recent MICA Curatorial Practice Graduate, and Baltimore Ceasefire Youth Ambassadors Shayla Williams and Destini Philpot, will be on view at the Motor House from January 10 – February 28, 2019 with an opening reception held on January 17, 2019 from 5-7pm.
Works by contemporary artists, including Steven Pearson, art professor and chair of the art and art history department at McDaniel, and Reni Gower, retired professor in the painting and printmaking department at Virginia Commonwealth University, are showcased in this exhibition curated by Gower. Other artists with works showcased are Virginia artists Jorge Benitez, Jennifer Printz, Tanja Softić, and Joan Elliott. As well as Kristy Deetz and Al Denyer. According to Gower, these artists embrace repetition and ritual as mindful strategies to ascertain meaning.
The Arena Players Gallery & Exhibition Space, 801 McCulloh Street, is now showing its latest exhibition, Storypiece: Documentary Story Quilts of Dr. Joan M. E. Gaither. This collection spans from Dr. Gaither's personal mentors to Baltimore history and icons from the wider Maryland African American community. The exhibition is FREE and open to the public through February 28th, 2019. Gallery hours Thursday/ Friday 4pm-7pm; Saturday 12-6pm; Sunday 12-4pm. Call 410-728-6500 or email [email protected] to arrange group tours.
Fiber Redux pairs the work of two mixed-media artists. In her colorful sculptural work, Kelly Boehmer entangles symbols of fantasies with metaphors for anxieties while Meg Schaap’s artwork expresses a contemporary portrait of France’s iconic Queen Marie Antoinette.
A free exhibit reception will be held on January 18 (snow date: January 25) from 6-8pm.
HoCo Open is an annual non-juried exhibit showcasing Howard County artists. Artists (aged 18 years and older) who live, work, or study in Howard County were invited to bring one piece of ready-to-hang original artwork completed in the past two years to the drop-off on January 3 from 4:30–6:30pm for inclusion in the exhibit.
Gallery Hours: Mon-Fri 10am-8pm, Sat 10am-4pm, Sun 12-4pm. Closed January 21 & February 18.
From colonial impressions of the Chesapeake Bay to detailed city plans for guiding Baltimore's rapid expansion, this exhibition features over thirty of the most stunning and historically significant maps of Maryland from the collection of the late businessman, philanthropist, and Johns Hopkins alumnus Willard Hackerman. The maps are brought together with related rare books and prints, ephemera, and digital story maps to reveal the passion of a collector, the early mapping of Maryland, and the potential of combining historical maps with modern data to re-examine the past.
"Structure and Perspective" brings together commissioned works by Maryland-born artist David Brewster with objects from the Maryland Historical Society’s collection. This marrying of old with new, contemporary with “antique,” creates a dialogue that inspires thought-provoking discussions of how the objects of the past remain relevant to today’s ever-changing social landscape. It also highlights Brewster’s often challenging perspective on the modern world, one that looks to the overlooked or unseen.
In the fall of 2018, the BMA’s oldest friends group, the Print, Drawing & Photograph Society (PDPS), will celebrate its 50th anniversary by sponsoring an exhibition to highlight a selection of late 19th-century, modern, and contemporary works on paper that PDPS has helped the BMA acquire over the years. Installed in a gallery adjacent to the Cone Collection, this one-gallery exhibition will be organized in two six-month presentations, each including 20–30 prints, drawings, and artists’ books.
Spencer Finch’s impressive light installation Moon Dust (Apollo 17), first presented at the 2009 Venice Biennale, will illuminate the BMA’s majestic Fox Court for the next seven years. The work consists of 150 individual chandeliers with 417 lights. The chandeliers are hung individually from the ceiling and form one large, cloud-like structure. Although an abstract sculpture, the installation is also a scientifically precise representation of the chemical composition of moon dust as it was gathered during the Apollo 17 mission.
Ebony G. Patterson (b. 1981, Kingston, Jamaica; lives and works in Jamaica and Lexington, KY) creates opulent tapestries out of dazzling arrays of found and fabricated materials—glitter, sequins, toys, beads, faux flowers, jewelry, and other embellishments. For her exhibition at the BMA, Patterson will create an immersive installation featuring her work …and babies too… (2016) in the Berman Textile Gallery.
This exhibition features approximately 30 photographs by artists born in Vietnam, China, Japan, and Korea between 1929 and 1980. Each work explores a time of day, a reflection on legend or history, a past remembered and missed, or a future imagined and anticipated. The images also explore suspended time, periods of waiting or boredom. Some of these works are real-time images, others were created as a result of the time an artist spent immersed in the world of the image—the time required to manipulate the subject or to capture the image.
In 1968, nine Catholic peace activists protested the Vietnam War in a fiery blaze in Catonsville, Maryland. “Activism and Art: the Catonsville Nine, 50 Years Later” examines one of the most iconic and written-about acts of political protest in 20th century American history. Through art created by Catonsville Nine activist Tom Lewis and elements of the documentary “Hit & Stay: a history of faith and resistance,” this exhibit explores the motivations and considers the consequences of civil disobedience, and contextualizes this protest in our present turbulent political climate.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across sub-Saharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c. 1880–c.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.