Ever imagined a quiet space that embraces tranquility, thought, and deep breathing? Visit Sid Yoga Center’s Meditation Space. If you’re new to Sig Yoga Center and or yoga, this is a great opportunity to check out our studio and to get a feel for our Nahi Warrior practices, Power Yoga, and Restorative and Renewing classes.
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Do you know a child who loves to sing? Children’s Chorus of Maryland (CCM) will hold auditions on August 27th, 28th, & 29th and September 5th in Towson for children as young as 5 ½ who are interested in participating in an exciting choral performance program. CCM features highly qualified teachers, small classes and in-depth vocal enrichment to provide children with a complete musical education and choral experience. Previous singing experience is not necessary! Register online at www.ccmsings.org.
Join us this summer for a production unlike anything we have ever done before. In this campy musical based on the 1960s cult horror film, nerdy Seymour, a florist’s clerk, buys and nourishes a Venus fly trap-like plant, which he names for his beloved co-worker Audrey. Little does he know that his plant will develop a soulful R&B voice and an unquenchable thirst for human flesh. Featuring gospel, pop, and rock as only ArtsCentric can do, this reimagined immersive production is not one to be missed. Get your tickets early for this one. They are sure to be gone fast.
In honor of the 50th anniversary of the Apollo 11 moon landing, the National Electronics Museum is hosting a temporary exhibit, "The Pace Collection: Unique and Rarely Seen NASA Apollo Mission Hardware". The exhibit features an eclectic mix of artifacts from a private collection. Don’t forget the Museum also has on permanent display the Westinghouse Apollo XI lunar TV camera. The exhibit is free with paid museum admission. Open 10 July through 15 October 2019.
Justin Duenne is an Americana artist that can be described as Indiana Roots Music. The songs are meaningful representations of love lost and love gained in the pursuit of the harmony between the mystical and mundane. While originally from the Cincinnati, OH area, Justin Duenne now calls Indianapolis home. With influences like Neil Young, Willie Nelson, The Eagles, and Wilco, the sound tends to draw from traditional folk and country music with a contemporary bent.
He’s back! Come celebrate the 15 year anniversary of Van Hunt’s self-titled debut album featuring the Grammy Nominated single “Dust”. Van Hunt along with accompanying musicians, will perform his entire debut album from start to finish along with more recent favorites.
About Van Hunt:
Mike Paxton, saxophone
Nate Stanley, guitar
Jackson Trapp, piano
Warren Louie, bass
Brendan Brady, drums
An evening of jazz standards and originals played by five young local musicians.
Individually they have performed in such venues as the Newport Jazz Festival, the Kennedy Center with the Army Blues Band, Rams Head, Bertha’s, the Mainstay in Easton, MD, and other venues throughout the Baltimore/Annapolis area.
Tickets: $15 in advance/$18 at door/$10 full-time students with ID
Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b.
This exhibition is on view through March 2020. The MdHS museum is open Wednesday-Saturday, 10 am-5 pm, and on Sundays, 12 pm-5 pm.
The exhibition features one-of-a-kind appliqué quilts created by Baltimore-native Mimi Dietrich. Ms. Dietrich is one of Maryland’s and the nation’s most accomplished quilters. In 2015 she was inducted into The Quilters Hall of Fame in Marion, Indiana. “Hometown Girl” tells Ms. Dietrich’s story as a life-long Marylander and Baltimore native, and draws inspiration from the many students she has taught over her 35-year career.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.
For more than 30 years, New Orleans-natives Keith Calhoun (b. 1955) and Chandra McCormick (b. 1957) have been documenting life in the Louisiana State Penitentiary at Angola. Known as “The Farm,” the prison was founded on the consolidated land of several cotton and sugarcane plantations. Slavery, The Prison Industrial Complex includes poignant photographs and videos that record the exploitation of men incarcerated in the maximum-security prison farm while also showcasing their humanity and individual narratives.
Starting with early portraiture, “Reflections: A Brief History of Looking at Ourselves” is a new exhibition exploring themes of identity and place that are at the cornerstone of human experience and widely examined in contemporary photography. The year-long exhibition draws from the Maryland Historical Society’s photograph holdings, including daguerreotypes, salt prints, glass negatives, silver gelatin and digital prints.
Spencer Finch’s impressive light installation Moon Dust (Apollo 17), first presented at the 2009 Venice Biennale, will illuminate the BMA’s majestic Fox Court for the next seven years. The work consists of 150 individual chandeliers with 417 lights. The chandeliers are hung individually from the ceiling and form one large, cloud-like structure. Although an abstract sculpture, the installation is also a scientifically precise representation of the chemical composition of moon dust as it was gathered during the Apollo 17 mission.
MacArthur award-winning artist and Baltimore icon Joyce J. Scott’s earliest art lessons were at the knee of her mother, the renowned fiber artist Elizabeth Talford Scott. The eldest Scott passed down to her daughter knowledge inherited from generations of craftspeople in their family who had honed their expertise and persisted in their artistry through the extreme deprivations of slavery and its aftermath in sharecropping, migration, and segregation. “They couldn’t buy things,” Joyce J. Scott recounts, “so they made things.
Every Day: Selections from the Collection is the BMA’s first reinstallation of its contemporary collection centered on black artistic imagination. Nearly 50 works of painting, sculpture, video, printmaking, and photography from the BMA’s permanent collection, alongside a select group of loans primarily from the celebrated Pamela J. Joyner and Alfred J. Giuffrida Collection, foreground the critical contributions black artists have made to postwar visual art.
In the fall of 2018, the BMA’s oldest friends group, the Print, Drawing & Photograph Society (PDPS), will celebrate its 50th anniversary by sponsoring an exhibition to highlight a selection of late 19th-century, modern, and contemporary works on paper that PDPS has helped the BMA acquire over the years. Installed in a gallery adjacent to the Cone Collection, this one-gallery exhibition will be organized in two six-month presentations, each including 20–30 prints, drawings, and artists’ books.
From a charcoal drawing and spare and subtle watercolors to thickly painted bold explorations of color and form on canvas, this exhibition explores how a selection of European and American artists from the BMA’s collection depicted nature in the early 20th century. Many took inspiration from the previous generation. Some were drawn to the Impressionists’ fascination with a realistic yet modern depiction of light and color captured at a particular moment in time.