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MAP offers internships for upper level college students, graduate students and recent graduates. Spring Internships available.
MAP hours: 11 am-4 pm, Tuesday-Saturday.
Interns are responsible for assisting MAP in a variety of ways, ranging from programming to administration, with opportunities for special projects depending on skills and professional interest. Intern duties include: performing research; assisting with gallery preparation and installation; photo/video documentation, coordinating events, gallery sitting, social media and community outreach.
Poinsettias are the signature holiday flower. No longer is red the main attraction, we have orange, pink, with splashes of white and variegated as well. Throughout the duration of the show, many beautiful poinsettias are available for sale our gift shop is also well- stocked with books, cards, and house plants just in time for the holidays. $5 donation suggested
This exhibition explores the cross-cultural connections in Melvin Edwards’ sculpture from 1980 to the present. Edwards (American, b. 1937) was profoundly influenced by his experience at a major arts festival in Lagos in 1977. Since then his work has increasingly connected to African art, languages, poetry, liberation politics, and philosophy. He has made reciprocal ties to many African countries, such as Nigeria, Ghana, Zimbabwe, and Senegal, where he has maintained a home for nearly 20 years.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.
This focus exhibition acknowledges and celebrates the contributions of women artists to the development of American modernism through nearly 20 works from the BMA’s collection by Elizabeth Catlett, Maria Martinez, Georgia O’Keeffe, and Marguerite Zorach, and others. The selection of painting, sculpture, and decorative arts showcases these artists’ innovative engagements with the major art movements of 20th century from Cubism to Abstract Expressionism.
Spencer Finch’s impressive light installation Moon Dust (Apollo 17), first presented at the 2009 Venice Biennale, will illuminate the BMA’s majestic Fox Court for the next seven years. The work consists of 150 individual chandeliers with 417 lights. The chandeliers are hung individually from the ceiling and form one large, cloud-like structure. Although an abstract sculpture, the installation is also a scientifically precise representation of the chemical composition of moon dust as it was gathered during the Apollo 17 mission.
Mickalene Thomas' immersive two-story installation will transform the BMA's East Lobby into a living room for Baltimore. The experience will extend onto an enclosed terrace where the BMA will host a series of events, such as film screenings, artist talks, performances, workshops, book clubs, and self-care seminars. Influenced by the 1970s and 1980s, Thomas' signature aesthetic incorporates geometric patterns, prints, textures, wood paneling, and shag carpeting, among other nostalgic motifs.
Generations: A History of Black Abstract Art offers a sweeping new perspective on the contributions black artists have made to the evolution of visual art from the 1940s to the present moment. Artists featured include pioneers of postwar abstraction once overlooked by history, such as Norman Lewis, Alma W. Thomas, and Jack Whitten, as well as artists from a younger generation such as Kevin Beasley, Mark Bradford, Martin Puryear, Lorna Simpson, and many others.
This exhibition is a visually stunning installation highlighting the extraordinary breadth of the Maryland Historical Society’s costume collection across four centuries and features nearly 100 examples of women’s and men’s clothing and accessories, as well as decorative arts.
Spectrum of Fashion tells an American social history rooted in Maryland. The clothing has connections to presidents and to the formerly enslaved, to the internationally famous, and to everyday Marylanders, all of whom have important stories to tell.
A biennial juried exhibit featuring work by 40 Howard County artists. Robin Holliday, owner and curator of HorseSpirit Arts Gallery in Savage, is the guest juror for Art Howard County 2019. The exhibit includes works in a range of media, including drawing, painting, photography, fiber art, sculpture, and more.
An exhibit that transforms the gallery into a screening room to showcase recent video works by Vin Grabill, Brandon Morse, and Joon Sung. These artists experiment with time-based media to create unique works of art that double as visual poems.
Exhibit runs November 1 - December 13, with a free reception on Friday, November 8 from 6-8pm. Gallery hours: Mon-Fri 10am-8pm, Sat 10am-4pm, Sun 12-4pm. Closed November 28 & 29.
Now through December 15, 2019, two new student exhibitions will be on display in Howard Community College’s (HCC) two galleries, continuing the tradition of bringing compelling and dynamic art to the greater Baltimore region.
The Fall 2019 Student Exhibition, which showcases more than 60 pieces of student art curated by the visual arts faculty, is featured in The Rouse Company Gallery, located within the Horowitz Visual and Performing Arts Center (HVPA).
UMBC's Albin O. Kuhn Library Gallery presents Experimentalist: The Art of Robert W. Fichter, the first retrospective of the artist’s career in over thirty years. Drawn from his archive at UMBC, the 55 works in this exhibition created between 1962 and 2006 highlight Fichter’s exploration of the human condition across photography, printmaking, and painting. Fichter employs shifting moods and mediums as well as wit, humor, and satire to deliver trenchant critiques of war, nuclear proliferation, and environmental disaster.
UMBC's Center for Art, Design and Visual Culture presents Distal’s Musk: Rosy Keyser, featuring new works by artist Rosy Keyser, a painter and sculptor known for working in large-scale gestural, tactile abstraction. Further details and related programing announcements forthcoming.
An opening reception will be held on Thursday, October 31, from 5 to 7 p.m., and the gallery will open for regular viewing hours on Friday, November 1.
Admission to the exhibition and all related events is free.
Starting with early portraiture, “Reflections: A Brief History of Looking at Ourselves” is a new exhibition exploring themes of identity and place that are at the cornerstone of human experience and widely examined in contemporary photography. The year-long exhibition draws from the Maryland Historical Society’s photograph holdings, including daguerreotypes, salt prints, glass negatives, silver gelatin and digital prints.
This exhibition is on view through March 2020. The MdHS museum is open Wednesday-Saturday, 10 am-5 pm, and on Sundays, 12 pm-5 pm.
The exhibition features one-of-a-kind appliqué quilts created by Baltimore-native Mimi Dietrich. Ms. Dietrich is one of Maryland’s and the nation’s most accomplished quilters. In 2015 she was inducted into The Quilters Hall of Fame in Marion, Indiana. “Hometown Girl” tells Ms. Dietrich’s story as a life-long Marylander and Baltimore native, and draws inspiration from the many students she has taught over her 35-year career.
Across sub-Saharan Africa, a strict gendered division of artistic labor existed throughout much of the 19th and 20th centuries. Men worked in wood and metal, carving and casting works that glorified leaders and paid homage to deities, while women created works in clay, cloth, and beads, stitching and firing the art of everyday life. This exhibition brings together two dozen works from the BMA's collection to demonstrate the critical role of women in shaping and maintaining social identities across 20th-century Africa.