Enter a wonderland of airy horses, birds, and sea creatures appearing to fly, swim, run and swirl. Sayaka Kajita Ganz creates sculptures from reclaimed plastic objects, arranging the fragments of waste into fluid images of birds and animals that appear to be created from brush strokes. The artist states, “My work is about perceiving harmony, even in situations that appear chaotic from the inside,” and notes that her work is inspired by “Shinto animist belief that all things in the world have spirits.”
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INTO LIGHT documents through personal portraits the tragic loss of human life caused by the drug addiction crisis in Baltimore. The exhibition features the work of artist Theresa Clower, who lost her own son to an opioid overdose, and who is using art to ease her pain and connect others who have experienced similar loss. Clower has created graphite portraits of 40 Marylanders lost to drug addiction. Through art, INTO LIGHT honors and celebrates those individuals, bringing light to their lives, rather than the darkness surrounding their deaths.
Make Studio presents the two-person exhibition The Fervent Thread (A Fantastic Voyage), bringing together textile-based works by guest artists Sam Barsky and Andy DeDominici (exhibiting as The Ray Wells Orchestra). The artists materially and thematically delve into concepts of literal and meta-physical journeys as vehicles for understanding and communicating their personal identities and experiences. Sam Barsky is a local fiber artist living in Baltimore who is well-known for his landmark-inspired knitwear (and subsequent selfies in front of those landmarks while wearing them).
November 8, 9, 15, 16, 22, 23, 2019 | 8pm
At the Carroll Mansion, 800 E Lombard St, Baltimore, MD 21202
Doors open 30 minutes prior to each performance
Hear the incredible true stories of Barnum’s life! Encounter genuine “artifacts” from Barnum’s career! Witness the Fejee Mermaid! Experience Spirit Communication! Bring Barnum and his cast of characters back to life! Recommended for ages 16+.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.
This focus exhibition acknowledges and celebrates the contributions of women artists to the development of American modernism through nearly 20 works from the BMA’s collection by Elizabeth Catlett, Maria Martinez, Georgia O’Keeffe, and Marguerite Zorach, and others. The selection of painting, sculpture, and decorative arts showcases these artists’ innovative engagements with the major art movements of 20th century from Cubism to Abstract Expressionism.
Every Day: Selections from the Collection is the BMA’s first reinstallation of its contemporary collection centered on black artistic imagination. Nearly 50 works of painting, sculpture, video, printmaking, and photography from the BMA’s permanent collection, alongside a select group of loans primarily from the celebrated Pamela J. Joyner and Alfred J. Giuffrida Collection, foreground the critical contributions black artists have made to postwar visual art.
Spencer Finch’s impressive light installation Moon Dust (Apollo 17), first presented at the 2009 Venice Biennale, will illuminate the BMA’s majestic Fox Court for the next seven years. The work consists of 150 individual chandeliers with 417 lights. The chandeliers are hung individually from the ceiling and form one large, cloud-like structure. Although an abstract sculpture, the installation is also a scientifically precise representation of the chemical composition of moon dust as it was gathered during the Apollo 17 mission.
MacArthur award-winning artist and Baltimore icon Joyce J. Scott’s earliest art lessons were at the knee of her mother, the renowned fiber artist Elizabeth Talford Scott. The eldest Scott passed down to her daughter knowledge inherited from generations of craftspeople in their family who had honed their expertise and persisted in their artistry through the extreme deprivations of slavery and its aftermath in sharecropping, migration, and segregation. “They couldn’t buy things,” Joyce J. Scott recounts, “so they made things.
Generations: A History of Black Abstract Art offers a sweeping new perspective on the contributions black artists have made to the evolution of visual art from the 1940s to the present moment. Artists featured include pioneers of postwar abstraction once overlooked by history, such as Norman Lewis, Alma W. Thomas, and Jack Whitten, as well as artists from a younger generation such as Kevin Beasley, Mark Bradford, Martin Puryear, Lorna Simpson, and many others.
Join us for our 15th Annual Holiday Craft Fair at beautiful Historic Oakland Manor.
Stroll through our 200 year old manor house at this juried event featuring handmade crafts, gifts and food from 60 talented vendors. There is sure to be something for everyone.
Admission is FREE but you can register online by clicking the event website link below or going to
This exhibition is on view through March 2020. The MdHS museum is open Wednesday-Saturday, 10 am-5 pm, and on Sundays, 12 pm-5 pm.
The exhibition features one-of-a-kind appliqué quilts created by Baltimore-native Mimi Dietrich. Ms. Dietrich is one of Maryland’s and the nation’s most accomplished quilters. In 2015 she was inducted into The Quilters Hall of Fame in Marion, Indiana. “Hometown Girl” tells Ms. Dietrich’s story as a life-long Marylander and Baltimore native, and draws inspiration from the many students she has taught over her 35-year career.
UMBC's Center for Art, Design and Visual Culture presents Distal’s Musk: Rosy Keyser, featuring new works by artist Rosy Keyser, a painter and sculptor known for working in large-scale gestural, tactile abstraction. Further details and related programing announcements forthcoming.
An opening reception will be held on Thursday, October 31, from 5 to 7 p.m., and the gallery will open for regular viewing hours on Friday, November 1.
Admission to the exhibition and all related events is free.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
A multi-media exhibition by Fahimeh Vahdat, installation artist, examines the parallel state of domestic violence in Iran and USA from her “Object of Violence” series. Exhibit through November 25. The Rouse Company Foundation Gallery at Howard Community College. A talk with the artist will be held on Thursday, November 14, at 2:00 pm in Monteabaro Recital Hall.
More information: www.howardcc.edu/galleries
This exhibition explores the cross-cultural connections in Melvin Edwards’ sculpture from 1980 to the present. Edwards (American, b. 1937) was profoundly influenced by his experience at a major arts festival in Lagos in 1977. Since then his work has increasingly connected to African art, languages, poetry, liberation politics, and philosophy. He has made reciprocal ties to many African countries, such as Nigeria, Ghana, Zimbabwe, and Senegal, where he has maintained a home for nearly 20 years.
Starting with early portraiture, “Reflections: A Brief History of Looking at Ourselves” is a new exhibition exploring themes of identity and place that are at the cornerstone of human experience and widely examined in contemporary photography. The year-long exhibition draws from the Maryland Historical Society’s photograph holdings, including daguerreotypes, salt prints, glass negatives, silver gelatin and digital prints.
Mohamed uses fiber and mixed media to demarcate time, experience, memory and the healing of wounds through the processes of suspending fabric, mending, and embroidery. Exhibit through November 18. Richard B. Talkin Family Art Gallery in the Horowitz Visual and Performing Arts Center at Howard Community College. 10901 Little Patuxent Parkway, Columbia, MD 21044.
More information: www.howardcc.edu/galleries