1 - 20 of 45 resultsRefine Results
Honest, funny, and dancing with heart, Queens Girl in the World chronicles the misadventures of bright-eyed, brown-skinned Jacqueline Marie Butler, whose sudden transfer from a protective, middle class late-1950s upbringing in Queens to a progressive, predominantly-Jewish private school in Greenwich Village, adds comical confusion to her already quizzical, fish-out-of-water adolescence. Lively and poignant—and punctuated with the irresistible sound of Motown—Queens Girl in the World tags along for a young woman’s journey of self-discovery, at the onset of Civil Rights-era social change.
Starting with early portraiture, “Reflections: A Brief History of Looking at Ourselves” is a new exhibition exploring themes of identity and place that are at the cornerstone of human experience and widely examined in contemporary photography. The year-long exhibition draws from the Maryland Historical Society’s photograph holdings, including daguerreotypes, salt prints, glass negatives, silver gelatin and digital prints.
From a charcoal drawing and spare and subtle watercolors to thickly painted bold explorations of color and form on canvas, this exhibition explores how a selection of European and American artists from the BMA’s collection depicted nature in the early 20th century. Many took inspiration from the previous generation. Some were drawn to the Impressionists’ fascination with a realistic yet modern depiction of light and color captured at a particular moment in time.
Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b.
In the fall of 2018, the BMA’s oldest friends group, the Print, Drawing & Photograph Society (PDPS), will celebrate its 50th anniversary by sponsoring an exhibition to highlight a selection of late 19th-century, modern, and contemporary works on paper that PDPS has helped the BMA acquire over the years. Installed in a gallery adjacent to the Cone Collection, this one-gallery exhibition will be organized in two six-month presentations, each including 20–30 prints, drawings, and artists’ books.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
This exhibition is on view through March 2020. The MdHS museum is open Wednesday-Saturday, 10 am-5 pm, and on Sundays, 12 pm-5 pm.
The exhibition features one-of-a-kind appliqué quilts created by Baltimore-native Mimi Dietrich. Ms. Dietrich is one of Maryland’s and the nation’s most accomplished quilters. In 2015 she was inducted into The Quilters Hall of Fame in Marion, Indiana. “Hometown Girl” tells Ms. Dietrich’s story as a life-long Marylander and Baltimore native, and draws inspiration from the many students she has taught over her 35-year career.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.
For more than 30 years, New Orleans-natives Keith Calhoun (b. 1955) and Chandra McCormick (b. 1957) have been documenting life in the Louisiana State Penitentiary at Angola. Known as “The Farm,” the prison was founded on the consolidated land of several cotton and sugarcane plantations. Slavery, The Prison Industrial Complex includes poignant photographs and videos that record the exploitation of men incarcerated in the maximum-security prison farm while also showcasing their humanity and individual narratives.
MacArthur award-winning artist and Baltimore icon Joyce J. Scott’s earliest art lessons were at the knee of her mother, the renowned fiber artist Elizabeth Talford Scott. The eldest Scott passed down to her daughter knowledge inherited from generations of craftspeople in their family who had honed their expertise and persisted in their artistry through the extreme deprivations of slavery and its aftermath in sharecropping, migration, and segregation. “They couldn’t buy things,” Joyce J. Scott recounts, “so they made things.
Spencer Finch’s impressive light installation Moon Dust (Apollo 17), first presented at the 2009 Venice Biennale, will illuminate the BMA’s majestic Fox Court for the next seven years. The work consists of 150 individual chandeliers with 417 lights. The chandeliers are hung individually from the ceiling and form one large, cloud-like structure. Although an abstract sculpture, the installation is also a scientifically precise representation of the chemical composition of moon dust as it was gathered during the Apollo 17 mission.
The BMA is incredibly grateful for the generosity of dedicated supporters Paul Roberts and his late wife Mary, who passed away in November of 2018.
Fresh off his jaw-dropping performance at our annual Django Jazz Fest, clarinet virtuoso Giacomo Smith brings his entire group from London for a swinging mid-week show.
From the moment they played their first note five years ago, the Kansas Smitty's House Band has set out to reinvent how audiences experience jazz. The House Band is a tight-knit outfit that make jazz inclusive with an emphasis on camaraderie, spontaneity, and joy.
sur/reality is Baltimore City Hall’s first-ever art exhibition highlighting the work of local transgender artists from Baltimore. Curated by Gender Museum in partnership with the Mayor’s Office and Baltimore City LGBTQ Affairs, sur/reality is an exploration of the dual existence of transness both as an experience & as an identity. Featuring a multitude of mediums, motifs, textures and concepts, the show will culminate in a reception and intimate artist talk-back with Gender Museum Curator and creative Jamie Grace Alexander. The show is FREE, and all are welcome.
Artists from around the region will gather in Historic Ellicott City June 27-July 1 to participate in Paint It! Ellicott City, an annual plein air painting event. Spectators are invited to spend the summer weekend strolling the streets and shops of the picturesque mill town and watching the artists at work. Community artists are encouraged to grab their easel and brushes and join the fun as Open Paint-Out participants.
Book of Flowers
JUNE 8 – JULY 27, 2019
Opening Reception June 8th, 7 – 10pm
Night equalizes, it de-centers, and affirms that we are unstable and floating; unmoored from constructed time. It encourages wild oscillations between anxiety and ecstasy. A sense of porosity is amplified as sensation, perception, and memory wash together in nocturnal space.
On Saturday, June 29th from 2-4PM the public is invited to participate in Sondheim Prize Applicant Amanda Burnham’s inclusive workshop Everything and Anything: Creating Shared Space alongside Make Studio artists. Attendees will be adding to the perimeter of the installation for the exhibition Everything Else (A Market-Space) and have the opportunity to draw inspiration from live animals from the Drawing Zoo. The workshop is free with all materials and instruction provided.
Baltimore Clayworks is proud to showcase the work of our four resident artists through a culminating exhibition extravaganza celebrating their past year in our studio. A diverse offering of styles and surfaces will be display: refined functional vessels in jewel-tone glazes, monolithic, rustic sculptures, narrative figurative sculptures, and quiet, slip-cast installations. The Main Gallery will be shared by Wes Brown's "Momentum" and Jason Piccoli's "Resonance".