Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b.
For more than 30 years, New Orleans-natives Keith Calhoun (b. 1955) and Chandra McCormick (b. 1957) have been documenting life in the Louisiana State Penitentiary at Angola. Known as “The Farm,” the prison was founded on the consolidated land of several cotton and sugarcane plantations. Slavery, The Prison Industrial Complex includes poignant photographs and videos that record the exploitation of men incarcerated in the maximum-security prison farm while also showcasing their humanity and individual narratives.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
The Baltimore Museum of Industry celebrates Maryland’s industrial legacy and shows how innovation fuels ongoing progress. Our exhibitions, educational programs, and collections engage visitors in the stories of the people who built Baltimore and those who shape the region’s future.
Visit this page for a virtual tour: https://historyview.org/library/baltimore-museum-of-industry/
The Be Here: Baltimore storytelling program is a new way to discover the people and places of the city. To date, we have shared more than 1,500 stories: online, at the Peale Center, and in Baltimore’s communities. Hear stories from around Baltimore and record your own on the Peale’s website or using the Free Be Here Stories App for iOS, powered by MuseWeb.
Lilia Torres joined Artesanas in 2014. She started teaching cooking classes at an after school program. Lilia says, "Sharing with people everything that is done fills me with joy and I love working with children." Lilia considers herself a hardworking, enterprising, humble and simple woman with a lot of desire to move forward.
Venmo: Lilia Torres @Lilia-Torres-13
CHILES RELLENOS WITH TOMATO SAUCE - RECIPE FOR 6 PEOPLE INGREDIENTS:
6 POBLANO PEPPERS
½ POUND OF HARD CHEESE
1 CUP OF VEGETABLE OIL
5 RED TOMATOES
We’re excited to announce the launch of the “Virtually Creative” after-school program.
The “Virtually Creative” after school program is an extension of our onsite programming that takes place at John Ruhrah Elementary/ Middle and Tench Tilghman Elementary/ Middle. In an effort to continue supporting our schools we are providing afterschool programming online. Each day, students receive homework help and hangout time to connect with friends. They will also have virtual Restorative Practice circles every Friday. Below is a detailed breakdown of the Virtually Creative schedule.
To veiw the online collection visit https://art.thewalters.org/
The Walters Art Museum is a cultural hub in the heart of Baltimore. Located in the city’s Mount Vernon neighborhood, the Walters is free for all. The museum’s collection spans more than seven millennia, from 5,000 BCE to the 21st century, and encompasses 36,000 objects from around the world.
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