UMBC's Albin O. Kuhn Library Gallery presents Experimentalist: The Art of Robert W. Fichter, the first retrospective of the artist’s career in over thirty years. Drawn from his archive at UMBC, the 55 works in this exhibition created between 1962 and 2006 highlight Fichter’s exploration of the human condition across photography, printmaking, and painting. Fichter employs shifting moods and mediums as well as wit, humor, and satire to deliver trenchant critiques of war, nuclear proliferation, and environmental disaster.
1 - 20 of 32 resultsRefine Results
From a charcoal drawing and spare and subtle watercolors to thickly painted bold explorations of color and form on canvas, this exhibition explores how a selection of European and American artists from the BMA’s collection depicted nature in the early 20th century. Many took inspiration from the previous generation. Some were drawn to the Impressionists’ fascination with a realistic yet modern depiction of light and color captured at a particular moment in time.
Starting with early portraiture, “Reflections: A Brief History of Looking at Ourselves” is a new exhibition exploring themes of identity and place that are at the cornerstone of human experience and widely examined in contemporary photography. The year-long exhibition draws from the Maryland Historical Society’s photograph holdings, including daguerreotypes, salt prints, glass negatives, silver gelatin and digital prints.
Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b.
UMBC's Center for Art, Design and Visual Culture (CADVC) presents Spectrum: 2019 Visual Arts Faculty Exhibition, featuring artworks by Dan Bailey, Steve Bradley, Cathy Cook, Jules Rosskam,Evan Tedlock, and Vin Grabill. Spectrumprovides an in-depth exploration of recent research projects in film, video, photography, sound, installation, and sculpture by selected members of UMBC’s Department of Visual Arts.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across subSaharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c.1880-c.
For more than 30 years, New Orleans-natives Keith Calhoun (b. 1955) and Chandra McCormick (b. 1957) have been documenting life in the Louisiana State Penitentiary at Angola. Known as “The Farm,” the prison was founded on the consolidated land of several cotton and sugarcane plantations. Slavery, The Prison Industrial Complex includes poignant photographs and videos that record the exploitation of men incarcerated in the maximum-security prison farm while also showcasing their humanity and individual narratives.
MacArthur award-winning artist and Baltimore icon Joyce J. Scott’s earliest art lessons were at the knee of her mother, the renowned fiber artist Elizabeth Talford Scott. The eldest Scott passed down to her daughter knowledge inherited from generations of craftspeople in their family who had honed their expertise and persisted in their artistry through the extreme deprivations of slavery and its aftermath in sharecropping, migration, and segregation. “They couldn’t buy things,” Joyce J. Scott recounts, “so they made things.
This exhibition is on view through March 2020. The MdHS museum is open Wednesday-Saturday, 10 am-5 pm, and on Sundays, 12 pm-5 pm.
The exhibition features one-of-a-kind appliqué quilts created by Baltimore-native Mimi Dietrich. Ms. Dietrich is one of Maryland’s and the nation’s most accomplished quilters. In 2015 she was inducted into The Quilters Hall of Fame in Marion, Indiana. “Hometown Girl” tells Ms. Dietrich’s story as a life-long Marylander and Baltimore native, and draws inspiration from the many students she has taught over her 35-year career.
Every Day: Selections from the Collection is the BMA’s first reinstallation of its contemporary collection centered on black artistic imagination. Nearly 50 works of painting, sculpture, video, printmaking, and photography from the BMA’s permanent collection, alongside a select group of loans primarily from the celebrated Pamela J. Joyner and Alfred J. Giuffrida Collection, foreground the critical contributions black artists have made to postwar visual art.
The intertwining stories in The Great Believerstake us through the heartbreak of 80’s and the chaos of the modern world, as characters struggle to find goodness in the midst of disaster.
Catherine has inherited her late father’s house, hundreds of his notebooks, and his mathematical genius. Terrified she has also inherited his psychosis, she allows one of his devout students to comb through the writings.
Costume Historian Nora Ellen Carleson will explore the late 19th and early 20th century dressmakers of Baltimore who clothed the city's most fashionable denizens through importing, smuggling and the creation of their own luxurious fashions. This lecture is part of the Francis Scott Key Lecture series. Cost is $50 for member and nonmembers.
Learn the basics of crochet in this fun two hour workshop brought to you by the lovely “Stitch Sages” at Lovelyarns, Baltimore’s Favorite Yarn Store! Leave with the skills to make your own crochet project! All materials are included and you will be able to keep your yarn and hook!
Local author & former Baltimore Sun writer Kevin Cowherd's latest work chronicles the contest at Camden Yards between the Baltimore Orioles and the Chicago White Sox on April 29, 2015. Baltimore is reeling from the devasting riots sparked by the death of Freddie Gray. The stadium is on lockdown for public safety and because police are needed elsewhere to keep the tense city from exploding anew. It is the only Major League game ever played without fans making it the unlikeliest and strangest game ever played in baseball and its therapeutic effect on a troubled city.
A MUSICAL WITHOUT BORDERS - Everyone has baggage in this timely mother-daughter musical about escaping and belonging from the Pulitzer Prize-winning playwright who wrote the book for the Tony Award-winning In the Heights. Join Olivia and her mother on their cross-country road trip. Mothers may teach you where you come from, but they can be the trickiest things.
BOOK AND LYRICS BY QUIARA ALEGRÍA HUDES
MUSIC AND LYRICS BY ERIN MCKEOWN
DIRECTED BY REBECCA MARTÍNEZ
In response to the strong interest in our tour of Fashions Unlimited last year, we are repeating a tour of this Baltimore garment factory in action. Since its founding in 1976, Fashions Unlimited has been manufacturing clothing from its South Baltimore factory and is going as strongly today as ever. With sewing machines and a skilled workforce of designers, cutters, and sewers, it produces a range of products from bathing suits for start-up businesses to sportswear for Fila, Nike, and Champion. The company even makes jackets for Mt.
Lisa Dillin & Nicole A. Martinell: The space between (us)
Exhibition runs September 4 – October 20, 2019
Gibbs Street Gallery, VisArts, 1st floor
September 13, 7 & 7:45 PM (with opening reception and artist talk)
September 14, 2 PM & 7 PM
The space between (us) is an interdisciplinary performance work by visual artist/sculptor Lisa Dillin and Deep Vision Dance Company’s Artistic Director Nicole A. Martinell.