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From colonial impressions of the Chesapeake Bay to detailed city plans for guiding Baltimore's rapid expansion, this exhibition features over thirty of the most stunning and historically significant maps of Maryland from the collection of the late businessman, philanthropist, and Johns Hopkins alumnus Willard Hackerman. The maps are brought together with related rare books and prints, ephemera, and digital story maps to reveal the passion of a collector, the early mapping of Maryland, and the potential of combining historical maps with modern data to re-examine the past.
In this 6-Week class you will experience the passion and the fierceness of Merengue, one of the international symbols of the Caribbean and Latin American dances. Throughout the class we will work together as a group to bring out the best in each other and connect with the roots of this cultural dance style. This course is going to consist of a weekly 2 hour class from 6pm to 8pm on Tuesday’s and finalizing with the closing act of an optional Performance at the Creative Alliance at The Patterson.
TUESDAYS, JAN 15 - FEB 19 | 6-8PM | $70, $65 MEMBERS
**NOTE: Run dates now Jan 29 - Feb 24.** Imagine a knock at the door from the hand complicit in a family tragedy: When the repentant driver in a fatal collision seeks forgiveness from the Amish family whose sons’ lives he claimed, faith guides them to welcome him into their community—and their home. But as inconvenient truths from the family’s past are discovered, can their outpouring of empathy be as limitless as it seems?
Imagine a knock at the door from the hand complicit in a family tragedy: When the repentant driver in a fatal collision seeks forgiveness from the Amish family whose sons’ lives he claimed, faith guides them to welcome him into their community—and their home. But as inconvenient truths from the family’s past are discovered, can their outpouring of empathy be as limitless as it seems?
This exhibition features approximately 30 photographs by artists born in Vietnam, China, Japan, and Korea between 1929 and 1980. Each work explores a time of day, a reflection on legend or history, a past remembered and missed, or a future imagined and anticipated. The images also explore suspended time, periods of waiting or boredom. Some of these works are real-time images, others were created as a result of the time an artist spent immersed in the world of the image—the time required to manipulate the subject or to capture the image.
Beauty stops us in our tracks. It makes us pause, look, consider. Sometimes it overwhelms us. We are often told art should aspire to this standard and be proportionate, symmetrical, naturalistic, and orderly. But what of work that is designed to revolt and terrify? Across sub-Saharan Africa, artists working across a range of states, societies, and cultures deliberately created artwork that violated conceptions of beauty, symmetry, and grace—both ours and theirs. Subverting Beauty features approximately two dozen works from sub-Saharan African’s colonial period (c. 1880–c.
Spencer Finch’s impressive light installation Moon Dust (Apollo 17), first presented at the 2009 Venice Biennale, will illuminate the BMA’s majestic Fox Court for the next seven years. The work consists of 150 individual chandeliers with 417 lights. The chandeliers are hung individually from the ceiling and form one large, cloud-like structure. Although an abstract sculpture, the installation is also a scientifically precise representation of the chemical composition of moon dust as it was gathered during the Apollo 17 mission.
In the fall of 2018, the BMA’s oldest friends group, the Print, Drawing & Photograph Society (PDPS), will celebrate its 50th anniversary by sponsoring an exhibition to highlight a selection of late 19th-century, modern, and contemporary works on paper that PDPS has helped the BMA acquire over the years. Installed in a gallery adjacent to the Cone Collection, this one-gallery exhibition will be organized in two six-month presentations, each including 20–30 prints, drawings, and artists’ books.
In 1968, nine Catholic peace activists protested the Vietnam War in a fiery blaze in Catonsville, Maryland. “Activism and Art: the Catonsville Nine, 50 Years Later” examines one of the most iconic and written-about acts of political protest in 20th century American history. Through art created by Catonsville Nine activist Tom Lewis and elements of the documentary “Hit & Stay: a history of faith and resistance,” this exhibit explores the motivations and considers the consequences of civil disobedience, and contextualizes this protest in our present turbulent political climate.
Ebony G. Patterson (b. 1981, Kingston, Jamaica; lives and works in Jamaica and Lexington, KY) creates opulent tapestries out of dazzling arrays of found and fabricated materials—glitter, sequins, toys, beads, faux flowers, jewelry, and other embellishments. For her exhibition at the BMA, Patterson will create an immersive installation featuring her work …and babies too… (2016) in the Berman Textile Gallery.
"Structure and Perspective" brings together commissioned works by Maryland-born artist David Brewster with objects from the Maryland Historical Society’s collection. This marrying of old with new, contemporary with “antique,” creates a dialogue that inspires thought-provoking discussions of how the objects of the past remain relevant to today’s ever-changing social landscape. It also highlights Brewster’s often challenging perspective on the modern world, one that looks to the overlooked or unseen.
e of the most exceptional collections of Asian art in North America takes center stage on Sunday, October 1, when the Walters Art Museum opens its new installation Arts of Asia. The dramatic display offers a rich exploration of artistic traditions from diverse cultures and regions across India, Nepal, Tibet, China, Korea, Japan, Myanmar, Thailand and Cambodia. The stunning array of more than 150 works spanning 2,000 years includes 30 objects that have never been on view.
The Center for Innovation, Research and Creativity in the Arts presents Andrew Keiper and Kei Ito, a collaborative artist team whose large-scale visual and sound installations probe the atomic bombing of Hiroshima and their intertwined family histories. Ito’s grandfather witnessed the explosion of the atomic bombing of Hiroshima that killed his family, while Keiper’s grandfather was an engineer who contributed to the effort to develop the bomb.
The power of romantic love and its sway. Cupid’s Arrow, taking place on the eve of Valentine’s Day, indulges in romantic love.
The 5:30-6:30pm reception period is graced with jazz keyboardist George Spicka, and light fare provided by The Classic Catering People. With an assist from the Greater Baltimore Cultural Alliance, the event includes audience members sharing their own testimonials of Valentine’s love, and a special interactive love letter writing activity by performance artist Spoon Popkin.
Love is all we have, the only way that each can help the other. -Euripides
Celebrate the special evening in the Cabaret Room, with a three course $35 fixed price menu and love songs of the past & present to sooth your palate. Native Californian, Renée Collins Georges is a professional and international touring vocalist; a 2017 Mid-Atlantic Jazz Vocal Competition Finalist; a voice over and teaching artist. Join Renée and her trio: Justin Taylor, piano; Herman Burney, bass and Philip Thomas, drums for a night of timeless love songs.