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UMBC's Center for Art, Design and Visual Culture (CADVC) presents Annet Couwenberg: Sewing Circles, on display from September 30 through December 11. The exhibition presents an overview of ten years of cultural research, digital experimentation, and finished artifacts by Couwenberg, who uses lace as a primary material. Through her creations, the artist asks how traditional textile construction can be modified or transformed by adapting it to digital fabrication processes.
Richard Yarde’s virtuosic watercolors transformed the medium with large-scale colorful paintings often composed on multiple attached sheets of paper and executed without preliminary drawing. Equally inspired by historical Black photographers, European post-Impressionists and by a keen political purpose, Yarde (1939–2011, Massachusetts) drew acclaim early in his career for his masterful portraits of Black leaders—athletes, swing-era dancers, blues and jazz musicians—as well as individuals he knew growing up in the multicultural Boston neighborhood of Roxbury.
Suzanne F. Cohen’s (1935–2018) extraordinary leadership and enduring support for the BMA touched every area of the Museum. In addition to chairing the Board and numerous Trustee committees, Cohen helped establish an endowment for free admission and funded many exhibitions, commissions, restorations, public programs, and gifts of art.
Thaddeus Mosley (b. 1926, Pennsylvania) transforms wood into inventive abstract forms that source inspiration from the art of the African diaspora, jazz, and the European modernist avant-garde. Using only a mallet, chisel, and masterful joinery techniques, Mosley, largely self-taught, reworks felled timber from local sawmills into monumental biomorphic expressions inspired by ancient and modern cultures from around the world.
This exhibition explores the 43-year friendship between artist Henri Matisse (1869-1954) and Baltimore collector Etta Cone (1870-1949). More than 160 paintings, sculptures, prints, drawings, and illustrated books will provide new insights into the formation of the renowned Cone Collection, one of the greatest collections of modern art in the United States.
New works by Lauren Frances Adams, Mequitta Ahuja, Cindy Cheng, and LaToya Hobbs—all past recipients of Joan Mitchell Foundation recognition with connections to Baltimore—emphasize the importance of continued support for artists at all stages in their careers. Whether through the shifting boundaries between self and other, contemplations about the cycles of life, or provocations to the public about shared histories, each artist engages deeply with vital aspects of contemporary culture.
Women who rebelled against sexist social rules have been trivialized and controlled for centuries. Portrayed according to stereotypes or vilified, women acting on their own behalf have been undermined consistently by their representation in Western art. Spanning the Renaissance to the progressive social movements of the 19th and early 20th centuries, this exhibition links heroines of the past with modern trailblazers, celebrating women throughout history who broke rules, transgressed boundaries, and insisted upon recognition of their human rights.
Mickalene Thomas’ immersive two-story installation transforms the BMA’s East Lobby into a living room for Baltimore reflective of Thomas’ signature aesthetic influenced by 1970s and 1980s motifs. The experience–the most expansive commission undertaken by both the artist and the BMA—extends onto an enclosed terrace, where Thomas has curated a presentation of works by artists with ties to Baltimore. Featured artists include: Derrick Adams, Zoë Charlton Theresa Chromati, Alex Dukes, Dominiqua S. Eldridge, Devin N. Morris, Clifford Owens, and D’Metrius John Rice.
This exhibition explores the 43-year friendship between artist Henri Matisse (1869-1954) and Baltimore collector Etta Cone (1870-1949). More than 160 paintings, sculptures, prints, drawings, and illustrated books provide new insights into the formation of the renowned Cone Collection, one of the greatest collections of modern art in the United States.
Please note that purchasing a ticket to see this exhibition will also act as your timed-entry pass for the Museum’s galleries. You do not need to reserve a separate timed entry pass in order to visit.
The Liriodendron Mansion is thrilled to be hosting a special exhibition - Chadwick the Crab & All of His Friends – presenting a rare opportunity not only to view the stunning original illustrations from the beloved children’s book series, but to meet the illustrator and author, and purchase the works.
Rembrandt van Rijn (1606–1669, Netherlands) is universally acknowledged as one of history’s greatest etchers, uniquely manipulating the etching needle and ink to create contemplative and affecting prints that have engaged viewers across centuries. His influence on the history of Western printmaking is foundational, especially for printmakers of the Etching Revival (1850–1930), such as Jean-Baptiste-Camille Corot, Édouard Manet, James A. M. Whistler, Mary Cassatt, and Mary Nimmo Moran.
The first exhibition on view in the new Ruth R. Marder Center for Matisse Studies showcases Henri Matisse’s graceful use of line in bronze sculpture and works on paper, drawn from the BMA’s collection. Although best known as a painter, Matisse was engaged as a draftsman, sculptor, and printmaker, relying heavily on line to create contours and shapes.
Celebrate the reopening of the BMA’s first floor with a day of activities inspired by the exhibition A Modern Influence: Henri Matisse, Etta Cone, and Baltimore and the new galleries dedicated to the art of Africa, Oceania, and Ancient Americas.
Experience performances, art-making, African storytelling. View A Modern Influence: Henri Matisse, Etta Cone, and Baltimore with free timed-entry passes and take a first look at the new Nancy Dorman and Stanley Mazaroff Center for the Study of Prints, Drawings and Photographs and The Ruth R. Marder Center for Matisse Studies.
In fall 2019, UMBC's Albin O. Kuhn Library Gallery presented Experimentalist: The Art of Robert W. Fichter, the first retrospective of the artist’s career in over thirty years. We are pleased now offer this exhibition in an online version, available here.
The Unfinished Revolution explores the turmoil of the United States’ emergence on the world stage between 1775 and 1815. The exhibition highlights two points that became certain—the country’s revolution remained unfinished, and Marylanders of many races and creeds were at the forefront of each conflict.
Admission is free for MCHC members.
Our 26th annual members' extravaganza back!
Don't miss the opportunity to have your artwork on the walls of our main gallery (yes, on our actual walls), or your fabulous talents showcased on our stage. Who knows... you might be the next BIG thing!
Did you know that The BIG Show was the very first Creative Alliance program? That first event led to twenty-five years of artistic expression, community, cultivation of young minds, and so much joy.
Who are Marylanders, why are they so obsessed with their flag, and what does duckpin bowling have to do with the Baltimore Orioles? This exhibition explores how Maryland and its people have changed since its founding in 1634. Learn how the dynamic geography of the state drove its industry, population, and the identity of Marylanders, and how the arts and culture of Maryland reflect on its past. For traveling visitors and lifelong Marylanders, Discover Maryland shows there is much to uncover about Maryland. Open through March 2022.