The faces and names of seventeen African-American soldiers who served under Captain William A. Prickitt are recorded in a rare surviving miniature photo album that was treasured by the Union Army officer, passed down through generations of his family, and is now part of the Smithsonian's National Museum of African American History and Culture. A mix of free and enslaved blacks ranging in age from fifteen to fifty, the soldiers have been enlarged to life size in colored pencil drawings by Michigan artist Shayne Davidson, who meticulously researched the lives of the men.
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Training the Eye explores the Walters' rich collection of works on paper through the lens of 19th-century artistic training and technique. Working in a range of mediums from watercolor to graphite to ink, artists honed their skills through intensive practice, seeking to become masters of their art. This intimate exhibition brings together 17 richly detailed and evocative portraits, still-life studies, and figure drawings—many of which are on view at the Walters for the very first time.
Special Exhibition Galleries at the Walters Art Museum, 600 North Charles Street
View the work of the artists selected as finalists for the prestigious competition which awards a $25,000 fellowship to a visual artist or visual artist collaborators living and working in the Baltimore region.
The Walters and the Baltimore Office of Promotion & The Arts are partnering to present the Sondheim Artscape Prize Finalists’ Exhibition, one of summer’s most anticipated events. On view at the Walters Saturday, June 17 through Sunday, August 13, the exhibition showcases the work of the seven finalists competing for the Janet & Walters Sondheim Artscape Prize, a $25,000 fellowship that is awarded each year by an independent panel of jurors to a visual artist or visual artist collaborators living and working in the Greater Baltimore region.
Melding Museum and City is a site-specific installation by Baltimore artist and 2017 Evergreen Museum & Library Artist-in-Residence Tony Auth (MICA, BFA Ceramics). Auth's work is known for its playful, unprompted style that pays attention to the physical experiences of the surrounding world. In Melding Museum and City, Auth translates pictorial decorations found within the museum for Evergreen's outdoor landscapes, while placing abandoned motorbikes and other symbols of urban unpredictability throughout the lavisly furnished period rooms.
Adam Pendleton (American, b. 1984) is a New York-based artist whose work examines and questions the freedom of abstraction in relationship to language, politics, and identity. The animating force of his work is found in Black Dada—the artist's term for a broad conceptualization of blackness. Working in various modes and mediums including painting, collage, video, and performance, the artist disrupts and reconsiders preconceived notions of history and culture.
AVAM's newest one-man show, "Reverend Albert Lee Wagner: Miracle At Midnight," is in celebration of one of America's most prominent visionary artists. Curated from 50+ Wagner masterpieces recently gifted to the museum by Gene and Linda Kangas, this show will also include two of Reverend Wagner's largest works, donated to AVAM's permanent collection ten years ago by Pat Handal.
REINVENTION: The Work of Chris Bathgate will explore how modern and traditional machine work can be harnessed to create unique artistic expressions. Featuring 28 works of art, REINVENTION will open on Friday, March 24, 2017 and will remain open through March 11, 2018. REINVENTION will also include schematic drawings of Bathgate's work done both digitally and through Diazo printing, an antiquated process used to create copies of architectural and technical drawings, commonly known as blueprints.
Black, White & Abstract considers the work of three of the most important and influential American photographers of the 20th century: Harry Callahan, Aaron Siskind, and Minor White.
The BMA is fortunate to have strong holdings of works by Callahan and Siskind, and now White as well thanks to the recent acquisition of the nine-part series Sound of One Hand Clapping, Sequence 14, never before on view at the Museum.
Queer Interiors is part of the BMA’s Commons Collaboration initiative, which commissions an artist and non-profit to work together on an installation and offer a series of public programs related to Imagining Home. The project conceived and produced by Rahne Alexander and Jaimes Mayhew is comprised of a larger-than-life bed, shelving and other furnishings, personal artifacts, and a multimedia wall quilt known as the Baltimore LGBTQI+ Home Movie Quilt.
The inaugural exhibition for the BMA’s new Center for People & Art brings together 37 works from across the BMA’s collection to explore the universal theme of home. Visitors will discover paintings, sculptures, decorative arts, textiles, and works on paper from the Americas, Europe, Africa, Asia, and the Pacific Islands, as well as four miniature rooms, plus a variety of interactive features presented in three thematic areas:
Two artists, photographer Regina DeLuise and painter Gwen Hardie bring an unusually heightened attention to how light and shadow reveal the body within the physical world. The tenderness of the human experience has been an enduring and central subject in the photographs of Regina DeLuise. She works with film and a large format 8 x10 camera, which requires a collaborative and sympathetic engagement between herself and her subject. Her photographs reveal the essence of these encounters: an extended choreography of sensate observation.